Inspired from the 1962 French short film La Jetée, writer/director Jerome Olivier has created a hauntingly innovative approach to narrative filmmaking.
It is the “story-telling”, not just the story, that makes Missing Pages distinct. The entire film, which runs 24 minutes, has been shot using a digital still camera. The images were then composited in three-dimensional layers, and virtual cameras were used to move through them, with many, many stylish techniques — a process the filmmakers dub “fotomation”.
Enjoy.
-BA
Here is a podcast w/ the director, Jerome Olivier, about creating the story, the look and post-production.
The making of Missing Pages podcast
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